NEW YORK HEADSHOTS by  PHOTOGRAPHER  RYAN JONES


ABOUT HEADSHOTS
A SIMPLE DEFINITION
 

ART OF HEADSHOTS
KNOW YOURSELF
DIVERSIFY AS AN ACTOR
 

BEFORE THE SHOOT
CLOTHING & MORE
 

DURING THE SHOOT
EXPRESSING YOURSELF
 

AFTER THE SHOOT
PICKING OUT SHOTS
 

ABOUT RYAN
A LITTLE BACKGROUND
 

HEADSHOTS
PORTFOLIO SAMPLE
 
 

SHOT PACKAGES
PRICING INFORMATION
 

MAKE APPOINTMENT
CONTACT INFO
EMAIL ME

 

RETOUCHING PRINTS
JUST A LITTLE
 

FILM & DIGITAL
THE DIFFERENCE
 

BUSINESS CARDS
A FACE WITH A NAME
 

MODELING
PORTFOLIO INFO
 

NEW YORK HEADSHOTS
THE HOMEPAGE
 
 

RETOUCHING HEADSHOTS

Retouching headshots is something that I strongly stand by and consider vital in producing a professional quality headshot.  I have heard some photographers say they refuse to do retouching, for they think it is overly done and that it distorts a person's true appearance.  And while I do agree that retouching can be overdone, a certain degree of retouching is needed in most cases.  The question I ask those retouching snobs out there is:  Why not try to minimize retouching if it is overdone?

The way I work is that I keep retouching to a minimum, primarily working on areas around the face (and that pesky piece of lint or straggling hair that always seems to show up out of nowhere on the headshot you love best).   By no means do I recommend giving yourself a retouching facelift, adding hair, masking grey hairs, or removing beautiful wrinkles that help to show your unique personality.

Believe me, no casting director wants to see somebody walk in the room who looks nothing like their headshot.  This is why it is important to not only keep retouching to a minimum, but to also update your headshots (which I will most gladly help you with)

To get an idea of the extent of retouching that I do, take a look at the following headshot.  In the first picture, you will see a few spots and blemishes, as well as a little shadow under the eyes.  In the second, final headshot, you can see the spots removed and the shadow evened out:
 

 

 

 

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